Friday, October 16, 2009
Happy Waitress: Closing Time...
The picture may be fuzzy but the message to the women in black was clear: we are closed. See all of those chairs that are sitting upsidedown on tables? It's not a fancy new decoration and we aren't trying to invent a new way to sit...we're trying to tell you that those hours on the door aren't just numbers for fun.
The two ladies you see before you entered the restaurant while looking at the hours that were on the door...perhaps they thought we were using Central or Pacific time, but we weren't. We use Eastern time and they entered an empty restaurant 13 minutes before our closing time.
After being served dinner, we found out, those were just the appetizers and that they wanted more. Awesome, because now we're 2 minutes from closing which means that the kitchen is still open.
And once those two minutes are up, and their food is rushed to the tables, the chairs go up, the televisions go off, the signs go off, and we all sit there and count our money and wait.
And wait.
And....wait.
15-20 minutes after "closing time"...you know, those hours that are printed directly onto the glass front doors....the ladies clad in black sit surrounded by wooden chairs and angry chicas who just want to go home.
I would never, ever, want food from a kitchen that was just about closed. I also will not eat in an empty restaurant. That's icky. But these two didn't seem to mind and they aren't alone as this happens all the time.
I can see if there's a major game on. There wasn't. I can see if the restaurant is packed. It wasn't. I can see if the weather doesn't suck completely. It did.
But come on. You know that we were closing, you came in anyway, and then you ordered apps and dinner...and then you see that no one can leave because you're still here.
You must be in the fabulous group of "I've never waited tables before".
But that's OK. Sit there. Enjoy your food. Alone.
And please enjoy the atmosphere of lights off, no music and chairs surrounding you.
Friday, October 9, 2009
Artistic License
I recently auditioned for a production of "Joseph" and found out last night that I was not cast. Not a big deal, as much as I would love to do the show (and be paid to do it) it will come around again and this theatre is almost two hours away from my house.
And this particular theatre is full of artistic license, that I can't wrap my head around.
They say that you can't get upset when you don't get cast becuase you never know what they are looking for. I whole heartedly believe that because there are roles I've been asked to audition for that I was convinced I was wrong for, and there are roles I didn't get that I was convinced I was perfect for.
Then there are the roles you don't get because they were pre-cast. I'm all for pre-casting, especially if you have the perfect people. For some shows, I'd even recommend it.
However, if the director or staff wants to go against the norm (really push the envelope in my opinion) then that needs to be made clear from the jump.
The only role I am interested in for "Joseph" is the narrator. In the room I was in, every single female said the same exact thing. I came to find out that the role of the narrator was going to be given to a guy.
So...is Joseph going to be played by a girl? Are we renaming the show "Josephine and her technicolor lingerie...?" I think that's a smaller leap than making the narrator a male.
Furthermore, the only featured female role in the entire show is the narrator.
There was no mention of this before the audition, at the audition, nothing. So no female there knew they were auditioning for a role that they weren't even going to be considered for.
I'm all for artistic license and being creative, but when you take for granted the time people take to audition for a show then you are wrong.
To add to this, the director that was putting together this show has since removed himself from this show. They cast the show (according to the email I received last night) after a sit down session with the former director, current musical director and choreographer. So they had a "pow-wow" and cast the show based on...I have no idea.
This is the biggest clusterfuck I've ever auditioned for. I cannot understand how you can take artistic license like this and keep it a secret. Newsflash to this theatre: there were ten women that I came in contact with that only wanted to be considered for the narrator, not including myself. It would have been awesome if you mentioned that the role isn't even up for grabs.
Oh, and if you could pay for my gas and time that I lost that day for absolutely nothing, I'd appreciate it.
Thursday, October 8, 2009
Stupid questions you've asked a waitress
Vote For Me!!
You know, I know, everyone should know, there is no other person for this job. I've worked for this company before on their show and I hosted the Men's Expo for them/lingerie runway show back in January.
It sucks that it's online voting (because I don't have 10 million myspace fans) but I do know a lot of you read this blog...so I'm going to use that to my advantage.
Round one is 32 girls which then gets down to 16...which will result in more online voting (super). I really need your help because I'm guessing a lot of these chicas have a lot of time to spend on MySpace and I don't.
Please vote and tell your friends to vote. I'll love your forever. Don't let some diva bitch win this- Vote for Daniela!!!
MUAH!
http://www.wrat.com/Default.aspx?tabid=993